Las óleos de todo Paul Cezanne

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Date ca. 1890(1890) Medium Oil on canvas cjr

11466

A Modern Olympia

27743

A Modern Olympia

mk62 1873 Oil on canvas 46x55cm Musee d Orsay

27883

A Modern Olympia

mk62 c.1873-5 Oil on canvas 46x55cm Musee d'Orsay, Paris

58357

A Modern Olympia

A Modern Olympia, 1873-1874, Musee d'Orsay, Paris

49001

Abandoned House near Aix-en-Provence

mk192 1885-87 65.1x82.5cm

11359

Achille Emperaire

ca 1868 6' 6 3/4'' x 4'()200x 122 cm Gift of Mrs.Rene Lecomte and Mrs.Louis de Chaisemartin,1964

27744

Afternoon in Naples

mk62 1872-1875 Oil on canvas 37x45cm Canberra,National Gallery of Australia

66306

afternoon in naples

mk1875-77 oil on canvas australian national gallery canberra

61033

along the vessel

mk273 1904 Oil on canvas 65.5 x 81 cm

60963

and fruit have a plate of still life

mk273 1890 Oil on canvas 28 x 40.5 cm

60969

and fruit still life of wine

mk273 1893 Oil on canvas 65.9 x 82.1 cm

60817

and tree house

mk273 1874 Oil on canvas 66x 55.6 cm

60873

and tree house

mk273 1885 Oil on canvas 58.1 x 81 cm

27847

Angelot

mk62 vers 1895 Huile sur toile 70x57cm LOondres,University of London, Courtauld institute Galleries

60801

Anthony

mk273 1866 Oil on canvas 116.3 x 98.4 cm

81151

Antony Valabregue

Date 1866(1866) Medium Oil on canvas Dimensions 81 x 100 cm cjr

83445

Antony Valabregue

Oil on canvas. 1866. Date 1866(1866) cyf

85209

Antony Valabregue

1866(1866) Medium Oil on canvas Dimensions 81 x 100 cm cyf

11472

Apples and Oranges

ca 1895-1900 2' 5 1/4''x 3' 1''(74 x 93 cm)Bequest of Count Isaac de Camondo,1911

27954

Apples and Oranges

mk62 ca.1895-1900 2' 5 1/4x3'1" Bequest of Count Isaac de Camondo 1911

60882

Aqueduct

mk273 1885 Oil on canvas 91 x 72cm

27909

Aqueduct and Lock

mk62 c.1888-90 Oil on canvas 74x93cm

60960

arm with the men

mk273 1891 Oil on canvas 92 x 72.7 cm

34673

Au Bord de l-Eau

mk94 1890

27793

Autoportrait

mk62 1862-1864 Huile sur toile 47x37cm

27821

Autoportrait

mk62 vers 1875 huile sur toile 66x55cm Paris,musee d'Orsay

27829

Autoportrait a la palette

mk62 vers 1890 Huile sur toile 92x73cm Zurich

27869

Autoportrait au beret

mk62 1898-1900 Huile sur toile 63.3x50.8cm Boston,Massachussetts Museum of Fine Arts

27726

Autumn

mk62 c.1860-1862 Oil on canvas 314x104cm Venturi 6 Paris,Musee de la ville de Paris Petit Palais

38858

Avenue of Chestnut Trees at Jas de Bouffan

mk141 1880s Watercolor over pencil with traces of gouache 31x47cm

73460

Badende

Date 1879-1880 Medium Oil on canvas Dimensions 34,5 X 38 cm cyf

80272

Badende

Date 1906(1906) Medium Oil on canvas Dimensions 210 x 251 cm (82.7 x 98.8 in) cjr

89206

Badende

c. 1899-1904 Medium oil on canvas Dimensions 59 x 80 cm cjr

91585

Badende

1900-1905 Medium oil on canvas Dimensions Deutsch: 73 x 92 cm cjr

91228

Badender mit ausgestreckten Armen

1877-1878 Medium oil on canvas Dimensions 33 x 24 cm (13 x 9.4 in) cjr

27865

Baigneurs

mk62 1890-1894 Huile sur toile 22x33cm Paris,Musee d'Orsay

27851

Baigneuses

mk62 1902-1906 Huile sur toile 29.2x23.5cm

60868

Bath De

mk273 1885 Oil on canvas 73 x 60 cm

60928

Bath De

mk273 1890 Oil on canvas 28 x 44 cm

60983

Bath De

mk273 1895 Oil on canvas 28 x 44 cm

60927

Bath four women who

mk273 1888 Oil on canvas 73 x 92 cm

61019

Bath nine women who

mk273 1902-1904 Oil on canvas 29 x 36 cm

60809

Bath woman who

mk273 1871 Oil on canvas 32.8 x 35 cm

60855

Bath woman who

mk273 1883 Oil on canvas 63.5 x 81 cm

60883

Bath woman who

mk273 1885 Oil on canvas 29 x 25 cm

58365

Bather

Bather, 1885-1887, Museum of Modern Art

11478

Bathers

ca 1890-1900 8 3/4'' x 1'2''(22 x 35.5 cm)

11479

Bathers

ca 1890-1892 1' 11 1/2'' x 2' 8 1/4''(60 x 82 cm)Gift of Baroness Eva Gebhard-Gourgaud,1965

27782

Bathers

mk62 c.1875-1877 Oil on canvas 38.1x46cm New York,Metropolitan Museum of Art,joan Whitney Payson Foundation

27785

Bathers

mk62 c.1900 Watercolour and pencil 13x21cm Tokyo,Bridgeston Museum of Art Ishibashi Foundation

27789

Bathers

mk62 1900-1906 Watercolour 21x27cm

40815

Bathers

mk156 1890-1892 Oil on canvas 60x82cm

43354

Bathers

mk170 1900-1906 Oil on canvas 127.2x196.1cm

27790

Bathers Beneath a Bridge

mk62 c.1895 New York The Metropolitan Museum of Art

27926

Bathing Women

mk62 c.1900-5 Oil on canvas 130x195cm National Gallery London

67510

beget sainte-victoire

1904 se

89747

Berge in der Provence

1886-1890 Medium oil on canvas Dimensions 65 x 81 cm cjr

34674

Bibemus Le Rocher Rouge

mk94 1897

60981

big bath person

mk273 1895 Oil on canvas 127.2 x 196.1 cm

61004

Black Castle

mk273 1990 Oil on canvas 73 x 92 cm

61040

Black Castle

mk273 jaar 1904 Olieverf op doek 74 x 94 cm

61006

black castle 2

mk273 1990 Oil on canvas 73.7 x 96.6 cm

61007

black castle 3

mk273 1990 Oil on canvas 73.7 x 96.6 cm

56975

Blue Apple

mk250 around the year 1895, Oil on canvas, 61.9 x 78.7 cm. Art Institute of Chicago.

61020

blue landscape

mk273 1902-1904 Oil on canvas 102 x 83 cm

60798

bones and candlestick

mk273 1867 Oil on canvas 47.5 x 62.5 cm

27784

Bothers

mk62 1900-1906 Watercolour and Pencil 13x21cm

72680

Bottle Glass

oil on canvas, by the French artist Paul Cezanne. 14 in. x 10 in cyf

60968

bottle of still life of fruit

mk273 1893 Oil on canvas 65.5 x 81.5 cm

60970

bottles and fruit still life

mk273 1893 Oil on canvas 72.4 x 91.6 cm

50198

Boulders,Pine trees and sea at l-estaque

mk209 1883-1885 40x32

60923

Boulevard

mk273 1888 Oil on canvas 82 x 66 cm

58367

Boy in a Red Vest

Boy in a Red Vest, 1888-1890, National Gallery of Art Washington, DC.

54169

Boy in a Red waiscoat

mk235 c.1888-1890 Oil on canvas 79.5x64cm

366

Boy in a Red Waistcoat

1890-95 Stiftung Sammlung E.G.Buhrle, Zurich

27753

Boy in a Red Waistcoat

mk62 1890-1895 Oil on canvas 79.5x64cm Zurich,Stiftung Sammlung E.G.Buhrle

40846

Boy in a Red Waistcoat

mk156 1890-1895 Oil on canvas 79.6x64cm

98316

Boy in a Red Waistcoat

1888 - 1890) Medium oil on canvas cyf

33945

Boy with a Red Waistcoat

mk87 c.1888-1890 Oil on canvas 80x64.5cm Zurich,Stiftung Sammlung E.G.Buhrle

21462

Boy with a Red Waistcoat (mk09)

c 1888-1890 Oil on canvas,80 x 64.5 cm Zurich,Stiftung Sammlung E.G Buhrle

85737

Bridge at Cereteil

Date 1894-1895 Medium English: Oil on Canvas cjr

89939

Bridge at Cereteil

1894-1895 Medium English: Oil on Canvas cyf

93549

Bridge at Cereteil By Paul Cezanne

1894-1895 Medium English: Oil on Canvas cjr

60839

bridge Muncie

mk273 1871 Oil on canvas 58.5 x 72.5 cm

27910

Bridge over the Marne

mk62 1888 Oil on canvas 71x90cm Pushkin Musum of Fine Art, Moscow

42805

Card players

MK169 ca.1890-95 Shut down 47.5x57cm

60974

cards were

mk273 1894 Oil on canvas 45.7 x 57 cm

61009

carpet three skull

mk273 1898 Oil on canvas 54 x 64 cm

11363

Cezanne's Accessories still life with philippe solari's Medallion

ca 1873 1' 11 1/2'' x 2' 88''(60 x 81 cm)Gift of Paul Gachet,1954

27831

Chateau de Medan

mk62 vers 1880 Huile sur toile 59x72cm Glasgow,Glasgow City Art Gallery

86182

Chateau Noir

1902-1905 Medium English: Oil on canvas Dimensions English: 70 x 82 cm cyf

96784

Chateau Noir

Oil on canvas 70 x 82 cm cyf

370

Cherries and Peaches

1883-87 Los Angeles County Museum of Art

27763

Cherries and Peaches

mk62 1883-1887 Oil on canvas 50x61cm County Museum of Art

38859

Chestnut Trees at Jas de Bouffan

mk141 ca.1885 Oil on canvas 65x81cm

27895

Chestnut Trees at the jas de Bouffan

mk62 c.1885-7 Oil on canvas 73x92cm Minneapolis Institute of Fine Arts

27757

Chestnut Trees at the jas de Bouffan in Winter

mk62 1885-1887 Oil on canvas 73x92cm Minneapolis,The Minneapolis Institute of Arts

60992

children wearing straw hat

mk273 1896 Oil on canvas 81 x 65cm

27846

Cinq Baigneurs

mk62 1898-1900 Huile sur toile 79.5x64.5cm Bale,galerie Beyeler

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Paul Cezanne

French Post-Impressionist Painter, 1839-1906 During the second half of the 19th century French impressionism created a dramatic break with the art of the past. In conception and appearance the style was radically new and, although it initially inspired public ridicule, it soon affected nearly every ambitious artist in western Europe. The new vision emerged during the 1870s, chiefly in the art of Claude Monet, Auguste Renoir, and Camille Pissarro. For each of these artists impressionism was an illusionistic style which differed from the tradition of Renaissance illusionism in its greater emphasis upon vibrant, natural color and on an immediate confrontation with the phenomena of the visible world. As the style developed during the 1880s, however, it increasingly became characterized by paintings which were flat rather than illusionistic. In other words, the impressionists insistence upon a direct application of pigment to canvas resulted in surfaces which declared themselves first of all as surfaces - and, consequently, in paintings which declared themselves first of all as paintings rather than as windows which looked out upon the natural world. The tendency toward flatness persisted into the last years of the 19th century, its pervasiveness giving the impression that illusionistic space - fought for, won, and defended since the very beginning of the Renaissance - had finally been sacrificed by the medium of painting. Paul C??zanne worked within and finally emerged from this trend. As a painter, he matured slowly, his greatest works coming during the last 25 years of his life. During this period he scored a remarkable and heroic achievement: he restored to painting the space and volume that had seemingly been lost to it. But he did it in a totally unprecedented way: not by return to the illusionism of the past but by the creation of a spatial illusionism that did not violate flatness. C??zanne was born on Jan. 19, 1839, in Aix-en-Provence. His father, Philippe Auguste, was the cofounder of a banking firm which prospered throughout the artist life, affording him financial security that was unavailable to most of his contemporaries and eventually resulting in a large inheritance. In 1852 C??zanne entered the Coll??ge Bourbon, where he met and became friends with Émile Zola. This friendship was decisive for both men: with youthful romanticism they envisioned successful careers in the Paris art world, C??zanne as a painter and Zola as a writer. Consequently, C??zanne began to study painting and drawing at the École des Beaux-Arts in Aix in 1856. His father opposed the pursuit of an artistic career, and in 1858 he persuaded C??zanne to enter law school at the University of Aix. Although C??zanne continued his law studies for several years, he was simultaneously enrolled in the School of Design in Aix, where he remained until 1861. In 1861 C??zanne finally convinced his father to allow him to go to Paris. He planned to join Zola there and to enroll in the École des Beaux-Arts. But his application was rejected and, although he had gained inspiration from visits to the Louvre, particularly from the study of Diego Vel??zquez and Caravaggio, C??zanne experienced self-doubt and returned to Aix within the year. He entered his father banking house but continued to study at the School of Design. The remainder of the decade was a period of flux and uncertainty for C??zanne. His attempt to work in his father business was abortive, and he returned to Paris in 1862 and stayed for a year and a half. During this period he met Monet and Pissarro and became acquainted with the revolutionary work of Gustave Courbet and Édouard Manet. C??zanne also admired the fiery romanticism of Eug??ne Delacroix paintings. But he was never entirely comfortable with Parisian life and periodically returned to Aix, where he could work in relative isolation. He retreated there, for instance, during the Franco-Prussian War (1870-1871).

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